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“Steppin’ in Time with Ginger & the Snaps”
SUZ Takeda’s multigenerational cabaret tribute to SF Japantown
May 29, 2003
SAN FRANCISCO (May 29, 2003) - The 3rd Annual Soko Arts Festival
and the 2003 APA Arts & Heritage Festival will present singer/performance
artist SUZ Takeda’s “Steppin’ in Time with Ginger
& the Snaps – A Musical Theatrical Tribute to San Francisco’s
Japantown,” on Saturday, June 7th, 7 p.m. at the Japanese
Cultural and Community Center of Northern California, located at
1840 Sutter Street (nr. Webster) in San Francisco. Tickets are $12
- $15 sliding scale in advance and $18 at the door. Contact JCCCNC
at (415) 567-5505 for tickets and information or go online: www.jcccnc.org.
“Steppin’in Time,” was written by SUZ Takeda,
with musical direction by Francis Wong. This spectacular celebration
of Japantown’s history and culture will feature: SUZ Takeda
as “Ginger,” and the Snaps: Jimmy Biala (percussion),
Doug Hirai (guitar), John Carlos Perea (bass), Melody Takata (taiko)
and Francis Wong (sax); and guest artists Hideko Nakajima (singer/shamisen),
A.K. Black (spoken word artist), and SambAsia (Escola de Brazil
in SF Japantown). Personal stories of growing up in Japantown will
be shared by Judy Hamaguchi, Hiroshi Shimizu, and Tim Yamamura.
Third annual Soko Arts Festival celebrates JCCCNC’s 30th
Anniversary
Through a dazzling array of music, first-person anecdotes by J-Town
personalities and SUZ Takeda/Ginger’s distinctive comedic
repartee and song, “Steppin’ in Time,” comments,
JCCCNC Program Director Jill Shiraki, “will serve up generous
helpings of mixed-generation humor (Nisei/Shin Issei/Nisei/Sansei/Nosei!)
and many celebratory morsels of Nikkei culture. The evening extravaganza
is the culmination of almost three years of intensive Japantown-based
artistic collaborations by the JCCCNC’s Soko Arts Festival
and Asian Improv aRt’s APA Art & Heritage Festival,”
she adds. According to the Takeda, “ the show is inspired
by the evolution of Japanese American identity and community --
from the Issei “picture bride” era; through the wartime
internment and post-war years; to the Fillmore/Japantown jazz era
of the 1960s; the dawning of Asian American/Third World identity
of the 1970s; continuing to the current renaissance of Japantown
art and culture. The Soko Arts Festival is a project of the JCCCNC
which is celebrating its thirty-year anniversary as a cultural,
social and artistic center for San Francisco Japantown.
Inspirations for “Steppin’ in Time”
Takeda credits two notable books she read for much of the inspiration
for creating this ambitious show. George Yoshida’s ground-breaking
work, Reminiscing in Swingtime – A History of Japanese in
American Popular Music, 193….. (National Japanese American
Historical Society, 1998?) introduced Takeda to Japanese Americans’
rich history in American popular music, from the pre-war days, through
the wartime years and internment, in Japan during the Occupation,
and up to the 60’s. The book’s anecdotal sketches of
these pioneering musicians captured Takeda’s imagination.
The photos and essays in Generations – (Japanese Cultural
and Community Center of Northern California), deepened her appreciation
for the community and the role of culture in sustaining it, as she
learned about the birth, struggles and triumphs of one of three
remaining Japantowns in the U.S. Her enthusiasm for celebrating
that history led to the conception of “Steppin’ in Time,”
which, she adds “will, hopefully encourage our community to
keep that legacy alive, to treasure our culture in all of its diversity.
That is so important to us, not just those who have lived in Japantown,
but those like me, who always wished for a community like this…”
Ginger and the Snaps
SUZ Takeda will reprise her popular stage persona, Ginger Hashimoto
– the evening’s simultaneously coy, flamboyant, wise-cracking
and soulful Japanese cabaret hostess. Her lively Japanese-accented
banter with the audience “makes the audience feel like family,”
says Takeda, and “engages them on this journey into time,
without a hokey time traveler feeling.” Ginger and the Snaps
debuted at the inaugural Soko Arts Festival two years ago and have
developed an improvisational ensemble chemistry that readily transforms
the JCCCNC gymnasium into a “high tone” karaoke club,
a J-Town/Fillmore jazz club of a bygone era, or even Las Vegas.
Born and raised in the East Bay, Takeda describes herself as a
“shin-nisei,” since her parents are both immigrants
from Japan (“shin-issei”); consequently, she was raised
in a Japanese-speaking environment at home. As she was growing up,
her connection to SF Japantown was minimal, but she was deeply influenced
by her immigrant mother and her circle of Japanese-speaking friends.
Ginger’s character and mannerisms are drawn from those immigrant
women, who took ownership of their heavily accented English, and
confidently communicated with new varieties of “Japanglish”
expressions, uniquely Japanese American. Rather than mimicking the
stereotypical Japanese accent, SUZ, through Ginger’s character,
redefines it, showing its potentially transformative power. “I’m
really trying to respect and honor that immigrant tenacity and spirit.
I think we all know someone like Ginger, who’s not just wacky,
but has lots of heart and inner strength,” says Takeda.
Ginger’s capricious Snaps are led by the ever-versatile saxophonist/composer,
Francis Wong (Gathering of Ancestors); along with Melody Takata
(Gen Taiko); Jimmy Biala (SambAsia); John Carlos Perea (Sweetwater
Singers); and Doug Hirai. Over the course of the past two years,
through the prestigious Meet the Composer New Residencies program,
Wong has been providing a range of musical direction, technical
assistance and original arrangements to encourage a new level of
collaboration among Japantown performing artists, particularly those
based at the JCCCNC. As resident composer, he provided the musical
direction for Takeda to develop Ginger’s musical repertoire,
including a scintillating version of the popular song, “Fever,”
(“I got the netsu…“). “All the Soko musicians
have been so fun and nurturing,” says Takeda, who had always
wanted to integrate her musical talents with her theater work.
About the JCCCNC
Envisioned by the Japanese American community, JCCCNC will be an
everlasting foundation of our Japanese American ancestry, cultural
heritage, histories and traditions. The JCCCNC strives to meet the
evolving needs of the Japanese American community through programs,
affordable services and facility usage. The JCCCNC is a non-profit
community center based in San Francisco.
For more information, please contact:
Jill Shiraki, Director of Programs
Japanese Cultural and Community Center of Northern California (JCCCNC)
415.567.5505
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